
The Eskaya Scriptby Hector Santos© 1996 by Hector Santos All rights reserved.
Our source of information is Jes B. Tirol, who is affiliated with the University of Bohol in Tagbilaran, Bohol. Tirol had been able to get information because his father, Victoriano Tirol, Sr., was a trusted lawyer of one of the late leaders of the Eskaya society. In spite of his access to informants, Tirol acknowledges that some information is only made available via oral tradition to a few chosen people within the group. What we will be dealing with is "public" or open information that, while not necessarily secret, is not widely disseminated either.
In view of the tremendous amount of fantastic information that can be gleaned from these Eskaya “books,” we have to limit ourselves mostly to the subject of the Eskaya script and their number system so we can have a mangeable topic. We will also discuss briefly how the Eskaya purportedly got into Bohol.
The only daughter of Dangko married a chieftain of Butuan and spread Eskaya influence in that region according to their accounts.
No dates are given for any of these important Eskaya milestones. Whenever dates are mentioned, it is not clear what calendrical system they are referring to because the dates are inconsistent with any other calendar that we know of. They are also inconsistent relative to other dated events in their accounts. For instance, Jesus Christ was supposed to have been born in 677 and the reign of Sikatuna was supposed to have began in 1272. These dates are obviously inconsistent with everything we know about Sikatuna and Jesus Christ.
What is obvious is that many symbols represent sounds which do not exist in Philippine languages or even most Austronesian languages. Consonant clusters within syllables are especially interesting as they are not natural sounds in any of the languages spoken in the region. Of course, this is what the Eskaya claim— their language is totally unrelated to other Philippine languages. However, we know that all languages (except Basque?) are related to and have cognates with others in their family. Someday, somebody might be able to say for sure whether Eskaya is really a unique language or if, like their script, was invented by one man.
I will now try to make a few general comments on the structure of the Eskaya script. This is, of course, the view of an outsider who was never taught the script. This is the best that I can do and will have to suffice until the time comes when somebody who was initiated into the secrets of the script decides to write about it.
The basic structure of the script is that of a syllabary. Like Indic scripts, basic value of certain symbols are modified by ligatures, although only to add a final consonant. There are symbols for V, CV, CVC, CCV, CCVC, VC, VCC, CVCC, CCVCC (C=consonant, V=vowel), and diphthongs. This is why there are so many different symbols in the Eskaya scrirpt (estimated to be around one thousand). However, if composite symbols are not counted, the number will be a lot less.
If you examine the Eskaya symbol chart on another page, you will notice that the shapes for ba, bi, and be are completely unrelated. The same can be said for ba, bla, and bra. This would show that Eskaya is a “pure” syllabary much like Japanese Katakana. Going to the subchart on the lower right-hand corner note that in sa, sa’, sab, sak, sad, sag, sal, sam, san, sao, sap, sar, sas, sat, say, and sang, (not all shown) the basic CV symbol sa is modified into the other values by the addition of a ligature. The ligature defines the value of the final consonant in the resulting CVC syllable.
But that is not all. The script is also reported to have the characteristics of logograms, with some symbols doubling as representations for words and ideas at the same time they represent sounds. This characteristic is similar to a characteristic of Chinese, Egyptian, and Mayan writing systems.
According to Tirol, the Eskaya symbols represent different positions of Man’s head, body, arms, and legs. He adds, “The symbols were derived from ‘As Pormos Minimi’ which is translated in Bisayan as ‘gikan sa lawas sa tawo (taken from the body of man).’ Upon closer analysis, ‘As Pormos Minimi’ is actually a corruption of the Latin phrase ‘ad formus hominem (from the body of men)’.”
Their names for the numbers (0=no name, 1=oy, 2=tre, 3=koy, 4=pan, 5=sing, 6=nom, 7=pin, 8=wal, 9=sem and 10=pon), except for wal and pon, are not close to the names used in other Philippine languages. They have unique names corresponding to twenty (kaw), thirty (krat), hundred (ten), and thousand (man). Their names for the other numbers are formed from a combination of these uniqque names so that eleven is pon oy (ten=pon plus one=oy) and twenty-two is kaw tre (twenty=kaw plus two=tre).
Symbols for the numerals are also shown in the chart on the separate page. Their shapes make it easy to believe that the Eskaya script was invented by one man.
The Eskaya have names for four mathematical operation but their symbols for the operations are suspiciously out of character when you consider their other written symbols:
At this time they are without a leader. Their last leader was Mariano Datahan, who died at the age of 107 on January 6, 1949.
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Please send me your comments. I would love to hear from you. Hector Santos <hectorsan@bibingka.com> Los Angeles | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||